Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Gunned Down In Manhattan”. The article went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a killer who then walked coolly away”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens had a different response: for those who faced insurance rejections or struggled with medical bills, the news felt cathartic. Online platforms erupted. One post stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company created to increase earnings on your health.”
Five days later, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with the district attorney seeking the death penalty. So who is Mangione? And what drove the accused offense? These are the issues John H Richardson attempts to answer in an inquiry that delves into wider topics, too.
Understanding the Person
A writer for a major publication, Richardson devoted considerable time to studying the communities that exist in the hidden parts of the internet, producing articles about people “cursed with realistic fears about an end-times scenario”. To uncover “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on a reading platform”. Their subject matter covered climate change to masculinity, along with a “focus on his own self-improvement, both body and mind”. Additionally, Richardson analyzes his correspondence with online personalities and authors as well as his many updates on social media. These original materials, intended to depict a picture of Mangione, instead render him an amorphous figure. Richardson tries to justify this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in symbolic roles.
Mangione is profoundly worried about the world around him, one where ‘everything is accelerating whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “deny” and “depose”, engraved on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He examines the evidence Mangione suffered from a long-term spinal issue, which could have been a reason for an attack, but discovers no confirmation; instead, what significance there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to ultimately either dominate, or destroy us, or both.
Gaps in the Narrative
Notably missing from the book are conversations with the principal actors. Richardson asked, of course, but did not anticipate access to Mangione himself. And his family stated explicitly that they had decided against speaking to the media in prior to the trial. Another glaring gap is any significant information about the deceased, Thompson, though we learn that under his guidance, from 2021 to 2023, company earnings increased by 33%.
Ambiguous Findings
By book’s end, the audience has no clear understanding of Mangione’s character or what could have driven his accused actions. Worse still, Richardson’s apparent empathy for him gives the reader the uncomfortable impression of having been exposed to a subtle approval of an assassination. In the book’s final lines, Richardson delivers his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the monster in the maze and the naked leader.” In that tale “Robin Hoods come with a beautiful promise … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s defence team continues in its attempts have accusations that could lead to the ultimate sentence dismissed, any mention of myths, folk heroes, heroes or monsters will not be admissible as evidence in defence of this attractive individual with a “features reminiscent of classical art” facing judgment for murder.